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Whitebank Fine Art

Sell your art

One advisor, acting for you rather than for the saleroom. Send photographs and we will tell you what you have and what it should do.

How it works

Three steps, and the first one takes a few minutes with a phone.

  1. 01Send photographs

    The work itself, the reverse, the signature and any numbering, and any labels on the frame or backing board. Phone photographs are fine. This is enough to begin on almost every work we are sent.

  2. 02We identify it and value it in writing

    What it is, which edition or period it belongs to, and a realistic range with the comparable results behind it — so you can see the reasoning rather than take a figure on trust. No charge, and no obligation to go further.

  3. 03You choose the route, we negotiate it

    Auction or private sale, and if auction, which house and which sale. We compare the terms rather than accept a rate card, and the paperwork and remittance stay in your name throughout.

15+
Years in the market
Contemporary, modern and photographic art, from editions to unique works.
0%
Our typical fee
Occasionally 2.5–10% where a sale is complex, and said in advance either way.
6
Categories covered
From Old Masters through to street art, each with its own salerooms.

Before you write

Send as much or as little as you have to hand — none of this is required to start a conversation. It is simply what lets us answer properly the first time rather than asking three questions back.

The work, front and back
Photograph both sides. On editions the inscriptions that place a work are as often on the reverse as the front, and on framed works nobody may have seen them for decades.
Dimensions and medium
Height and width, and whether it is a painting, a print, a photograph or a work on paper. Approximate is fine.
Anything that came with it
Invoices, certificates, gallery correspondence, or simply where and when it reached you. Provenance is the part owners most often assume is unimportant and specialists ask about first.

What we sell

Art only, across 6 categories. Each one has its own salerooms, its own buyers and its own calendar, and choosing between them is most of what an advisor is for.

  • Contemporary and Post-War Art

    Work from 1945 to now — the most actively traded category at auction, and the one where estimates move fastest.

  • Modernist Art

    Early- and mid-twentieth-century painting and sculpture, where condition and exhibition history carry unusual weight.

  • Impressionist Art

    Impressionist and Post-Impressionist works, a market that rewards impeccable provenance above almost everything else.

  • Old Master Paintings and Drawings

    Pre-1800 painting and works on paper, where attribution and scholarship determine value more than fashion.

  • Photographic Art

    Vintage and contemporary photography, where print date, edition and printer matter as much as the image.

  • Street Art and Urban Contemporary

    Banksy and the wider urban contemporary market, where authentication paperwork is often half the value.

Two ways we sell

We compare both before recommending either, and we broker private sales ourselves — so read the second one as an interested party’s account of its own product.

At auction

Open competition on the day, and the higher ceiling where a work is fresh to the market. Bound to the sale calendar, and a work that fails to sell carries that record with it afterwards. We choose the house and the sale, and negotiate the seller's terms.

What selling at auction costs

By private sale

Faster, discreet, and nothing is published if it does not find a buyer. Suits work that has been offered before, or where an owner would rather not have an estimate on public record. We broker the sale directly.

How private sales work

Where we go deepest

Some names carry questions of their own — authentication, paperwork, or simply which of several thousand editions you hold. Each of these has a guide behind it.

  • Banksy

    Anonymous since the 1990s, and the most closely watched street artist around.

  • David Hockney

    Sixty years of printmaking across more media than almost any of his contemporaries — which is exactly what makes his market hard to read.

  • Damien Hirst

    Made in series and in volume, which is exactly why the edition and its paperwork decide what a Hirst is worth.

Common questions

How do I start?

Send photographs and whatever you know about the work. There is no form to complete beyond the one on our contact page, no fee, and no commitment of any kind at this stage. Most enquiries can be answered from images alone.

What does it cost to sell through you?

Our fees are typically 0%. On rare occasions we may need to charge a 2.5% to 10% commission where the sale is complex. Even then, because we negotiate reduced seller's rates on your behalf, the overall cost is usually the same or lower than consigning directly, and extra unsold and marketing fees can often be avoided entirely.

Will you value a work before I decide whether to sell?

Yes, and most people who contact us have not decided. We advise on likely pricing using results from a specialist art price database, and a valuation carries no obligation to proceed. Knowing what something is worth is a perfectly good reason to ask on its own.

Which auction houses do you work with?

We have extensive experience with Sotheby's, Christie's, Bonhams, Phillips, Artnet, Heritage, Julien's LA, Grisebach, Tateward and Artsy, alongside regional salerooms where a specific category performs better. We are not affiliated with any of them, which is the point — we compare them on your behalf.

How long does selling take?

A private sale usually completes within two to six weeks. Auction is bound to the sale calendar — normally two to four months from consignment to payment, and longer if the right specialist sale is further out.

What if my work turns out not to be worth selling?

We will tell you, and we would rather tell you at the photograph stage than after anyone has spent anything. Not every work rewards the cost of handling it properly, and an advisor who never says so is not much use to you.

Whitebank Fine Art is an art advisory and gallery, not an auction house, and is not affiliated with any auction house. Nothing here is investment advice.

Send images and any paperwork to info@whitebankfineart.co.uk, or start below. A few photographs are enough.

Considering a sale, or looking for a particular work?

Whitebank Fine Art is a London art advisory and gallery. A photograph and a few details are enough to begin — a valuation carries no obligation to proceed.