Chantal Joffe valuation
Paints women, her daughter and herself, fast and very large, from photographs and life.
Chantal Joffe was born in St Albans, Vermont in 1969, grew up in England, and studied at Glasgow and the Royal College of Art.
What a work by Chantal Joffe is worth
Send photographs and whatever paperwork came with it. The first question is what the work actually is — edition or unique, when, and in what condition — because everything else follows from the answer. A valuation is free, made online from the photographs you send, and it commits you to nothing. We act for sellers across the United Kingdom, Europe and the United States.
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Bio
Chantal Joffe was born in St Albans, Vermont in 1969, grew up in England, and studied at Glasgow and the Royal College of Art. She paints women almost exclusively — friends, fashion models taken from magazines, her mother, her sister, and above all her daughter Esme, whom she has painted repeatedly through childhood and adolescence, alongside a long run of unsparing self-portraits. The paint is applied fast and wet, at a scale that frequently exceeds life size, with proportions deliberately left awkward. She was elected a Royal Academician in 2013 and works in London.
A strong British market with growing international reach, led by the large oils on board and canvas; the paintings of her daughter and the self-portraits are the most sought subjects. Joffe often paints on board, and large boards warp and are vulnerable at the corners, so support condition matters. She works quickly and the output is substantial, which keeps the market well supplied. There are also numerous smaller oils on paper and card, and a modest number of print editions. Signature and date are usually on the reverse.
The Wollaston Award, and the galleries
Joffe won the Charles Wollaston Award at the Royal Academy Summer Exhibition in 2006, for the most distinguished work in the show, with Blond Girl – Black Dress. Her work is in British public collections including the Arts Council Collection, the Government Art Collection and the Fitzwilliam Museum in Cambridge.
She is represented by Victoria Miro in London and Monica De Cardenas in Milan, and their invoices and exhibition records are the usual documentation for a painting. For the many smaller works on paper, a gallery or exhibition provenance is what separates one from another.
Whitebank Fine Art is an art advisory and gallery, not an auction house, and is not affiliated with any auction house or with the artist, their estate or their representatives. This page describes the range we advise on. Nothing here is investment advice.
