Dora Maurer
Hungarian conceptualist of displacement, overlap and quiet geometry, working since the 1950s.
Dora Maurer was born in Budapest in 1937 and trained as a printmaker, working through the restrictions of state socialist Hungary in graphics, film, photography and eventually painting. The work is systematic rather than expressive: sequences of photographs recording small displacements, films of hands and folded paper, and from the 1980s the Overlappings and Quasi-Images — shaped canvases in flat colour, tilted and interlocked so that the panels appear to shift against the wall. She taught for decades in Budapest, and a Tate Modern exhibition in 2019 brought a substantial international reassessment late in her career.
The market is young relative to the length of the career and is driven by that recent institutional attention. The shaped geometric paintings from the 1980s onwards lead it; the early conceptual photographic sequences and films are scarce, exist in small editions, and are largely institutional. Prints and works on paper from the 1970s are the accessible part of the output. The shaped canvases depend on exact edges and flat unmodulated colour, so panel condition, edge wear and correct wall mounting are directly relevant to value.
If you own a work by Dora Maurer
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